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mahishAsura mardhini, 191018
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अयि गिरिनन्दिनि नन्दितमेदिनि विश्वविनोदिनि नन्दिनुते
गिरिवरविन्ध्यशिरोऽधिनिवासिनि विष्णुविलासिनि जिष्णुनुते ।
भगवति हे शितिकण्ठकुटुम्बिनि भूरिकुटुम्बिनि भूरिकृते
जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ १ ॥

Ayi Ranna-Durmada Shatru-Vadho[a-U]dita Durdhara-Nirjara Shakti-Bhrte
Catura-Vicaara Dhuriinna-Mahaashiva Duuta-Krta Pramatha-[A]dhipate |
Durita-Duriiha Duraashaya-Durmati Daanava-Duta Krtaanta-Mate
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 5 ||

Meaning:
(O Divine Mother, I invoke You and take refuge in Your Auspicious Feet)
5.1: Salutations to You O Divine Mother; I Invoke You; Who Manifested to Destroy the Battle-Intoxicated Arrogant Demons and Who is the possessor of Unrestrainable and Imperishable Power,
5.2: (I Invoke You) Who made Lord Shiva Her Messenger, that Shiva Who is Distinguished by Cleverness in Deliberation and is the Lord of the Ghosts and Goblins,
5.3: Who is Honoured for Bringing an End (i.e. Rejecting) to the Proposal of the Evil-Minded and Ignorant Messenger of the Demon (Shumbha) (and hence bringing an end to the demons themselves),
5.4: Victory to You, Victory to You, (I take Refuge in Your Auspicious Feet) O the Destroyer of Demon Mahishasura; (Victory to You) Who Shine with Beautiful Locks of Hair and Who is the Daughter of the Mountain.

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सुरललना ततथेयि तथेयि कृताभिनयोदर नृत्यरते
कृत कुकुथः कुकुथो गडदादिकताल कुतूहल गानरते ।
धुधुकुट धुक्कुट धिंधिमित ध्वनि धीर मृदंग निनादरते
जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ ९ ॥

Sura-Lalanaa Tatatheyi Tatheyi Krta-Abhinayo-[U]dara Nrtya-Rate
Krta Kukuthah Kukutho Gaddadaadika-Taala Kutuuhala Gaana-Rate |
Dhudhukutta Dhukkutta Dhimdhimita Dhvani Dhiira Mrdamga Ninaada-Rate
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 9 ||

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Meaning:
(O Divine Mother, I invoke You and take refuge in Your Auspicious Feet)
9.1: (Salutations to You O Divine Mother) I Invoke You; Following the Rhythm of Whose Great Battle the Celestial Dancers Dance the rhythm of Ta-Tha-Theyi, Ta-Theyi, expressing the sentiment of the battle with their Dramatic Acts,
9.2: (I Invoke You) Following the Rhythm of Whose Great Battle the Celestial Musicians Create Music capturing the Tense Eagerness of the battle with the Talas (musical beats) like Ku-Kutha, Ku-Kutha, Ga-Da-Dha, Ga-Da-Dha,
9.3: Following the Rhythm of Whose Great Battle a Steady Deep Sound of Dhu-Dhu-Kuta, Dhu-Kuta, Dhim-Dhimi is played in the background from the Mridangam (a musical drum),
9.4: Victory to You, Victory to You, (I take Refuge in Your Auspicious Feet) O the Destroyer of Demon Mahishasura; (Victory to You) Who Shine with Beautiful Locks of Hair and Who is the Daughter of the Mountain.


सहितमहाहव मल्लमतल्लिक मल्लितरल्लक मल्लरते
विरचितवल्लिक पल्लिकमल्लिक झिल्लिकभिल्लिक वर्गवृते ।
शितकृतफुल्ल समुल्लसितारुण तल्लजपल्लव सल्ललिते
जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ १२ ॥
Sahita-Mahaahava Mallama-Tallika Malli-Tarallaka Malla-Rate
Viracita-Vallika Pallika-Mallika Jhillika-Bhillika Varga-Vrte |
Shita-Krta-Phulla Samullasita-[A]runna Tallaja-Pallava Sal-Lalite
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 12 ||

Meaning:
(O Divine Mother, I invoke You and take refuge in Your Auspicious Feet)
12.1: (Salutations to You O Divine Mother) I Invoke You; Who is Accompanied in the Great Battle against Excellent Wrestlers (Fighters) by Girls who appear Tender like Jasmine Fighting against the Enemies,
12.2: (I Invoke You) Whose Accompaniments are Composed of Girls from the Bheel Tribe who are Tender like Creepers of Jasmine and buzz like Swarms of Bees,
12.3: Whose Face Play a Smile Created by Joy which appear like Dawn Shining forth with Red Colour and Blossoming the Excellent Buds of Flowers,
12.4: Victory to You, Victory to You, (I take Refuge in Your Auspicious Feet) O the Destroyer of Demon Mahishasura; (Victory to You) Who Shine with Beautiful Locks of Hair and Who is the Daughter of the Mountain.


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विजितसहस्रकरैक सहस्रकरैक सहस्रकरैकनुते
कृतसुरतारक सङ्गरतारक सङ्गरतारक सूनुसुते ।
सुरथसमाधि समानसमाधि समाधिसमाधि सुजातरते ।
जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ १७ ॥
Vijita-Sahasra-Karaika Sahasra-Karaika Sahasra-Karaika-Nute
Krta-Sura-Taaraka Sanggara-Taaraka Sanggara-Taaraka Suunu-Sute |
Suratha-Samaadhi Samaana-Samaadhi Samaadhi-Samaadhi Sujaata-Rate |
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 17 ||

Meaning:
(O Divine Mother, I invoke You and take refuge in Your Auspicious Feet)
17.1: (Salutations to You O Divine Mother) I Invoke You; Who Conquer Thousands of Enemies who fight against Her with Thousands of Hands (by manifesting Her Own Thousand Hands); Who then Make Thousands of Hands (of Devotees) Praise Her,
17.2: (I Invoke You) Who Created the Rescuer of the Devas (Son Kartikeya) to Fight with Demon Tarkasura and then Urged Her Son for that Great Fight,
17.3: Who is Pleased with both: The Devotional Contemplation like King Suratha for Worldly Gains, and also the Excellent Devotional Contemplation like Merchant Samadhi for Spiritual Knowledge,
17.4: Victory to You, Victory to You, (I take Refuge in Your Auspicious Feet) O the Destroyer of Demon Mahishasura; (Victory to You) Who Shine with Beautiful Locks of Hair and Who is the Daughter of the Mountain.

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पदकमलं करुणानिलये वरिवस्यति योऽनुदिनं सुशिवे
अयि कमले कमलानिलये कमलानिलयः स कथं न भवेत् ।
तव पदमेव परम्पदमित्यनुशीलयतो मम किं न शिवे
जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ १८ ॥
Pada-Kamalam Karunnaa-Nilaye Varivasyati Yo-[A]nudinam Su-Shive
Ayi Kamale Kamalaa-Nilaye Kamalaa-Nilayah Sa Katham Na Bhavet |
Tava Padam-Eva Param-Padam-Ity-Anushiilayato Mama Kim Na Shive
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 18 ||

Meaning:
(O Divine Mother, I invoke You and take refuge in Your Auspicious Feet)
18.1: (Salutations to You O Divine Mother) I Invoke You knowing that Whoever Serves Your Highly Auspicious Lotus Feet Everyday, Which is an Abode of Compassion, ...
18.2: (He Serves) That Lotus (Lotus Feet), Which is an Abode of Kamala (Goddess Mahalakshmi); (Therefore) Will He Not Himself Become an Abode of Kamala (i.e. filled with Purity and Prosperity)?
18.3: Your Feet Indeed is the Supreme Feet (i.e. Supreme Refuge); Therefore How can I Not Practise Devotion Towards them, O Auspicious Mother?
18.4: Victory to You, Victory to You, (I take Refuge in Your Auspicious Feet) O the Destroyer of Demon Mahishasura; (Victory to You) Who Shine with Beautiful Locks of Hair and Who is the Daughter of the Mountain.

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अयि मयि दीन दयालुतया कृपयैव त्वया भवितव्यमुमे
अयि जगतो जननी कृपयासि यथासि तथानुमितासिरते ।
यदुचितमत्र भवत्युररीकुरुतादुरुतापमपाकुरुते
जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ २१ ॥
Ayi Mayi Diina Dayaalu-Tayaa Krpaya-Iva Tvayaa Bhavitavyam-Ume
Ayi Jagato Jananii Krpayaasi Yathaasi Tathanu-mita-Asira-Te |
Yad-Ucitam-Atra Bhavatyurarii-Kurutaa-Duru-Taapam-Apaakurute
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 21 ||

Meaning:
(O Divine Mother, I invoke You and take refuge in Your Auspicious Feet)
21.1: (Salutations to You O Divine Mother) I Invoke You; You Must Bestow Your Grace on Me, O Mother Uma, Who is Compassionate to the Miserable,
21.2: (I Invoke You) O Mother of the Universe; Just as Your Grace is Showered (on the Devotees), In the Same Manner are Your Arrows Scattered (on the Enemies) (destroying their egos),
21.3 Please do Whatever is Appropriate at this time, O Worshipful Mother, to Remove the Sorrows and Afflictions (of the world) which has become Difficult for me to bear,
21.4: Victory to You, Victory to You, (I take Refuge in Your Auspicious Feet) O the Destroyer of Demon Mahishasura; (Victory to You) Who Shine with Beautiful Locks of Hair and Who is the Daughter of the Mountain.

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For the full Mahishasura Mardhini Stothram, click

here

clicking on each Sanskrit word will also give its meaning.

Update on the doctor's list
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"
I had posted this ad.
drmayanja, blr, 161018 humour
Turns out, this is from Central Africa, and
here
is an article by Patrick Mbataru, that explains, amongst other things, the first item on the list.
NAIROBI: In 1997, out of curiosity, I asked Gacamuku, a well-known Mbeere witchdoctor about a tale told about him. The story goes that the sorcerer was once presented before a magistrate.
Upon pronouncing judgement jailing him for three months, the medicine man replied, ‘I also jail you...’ The magistrate, so the tale goes, was stuck on his seat in the courtroom and the sorcerer had to be called to ‘release’ him.
This is a common selling story for sorcerers in the region. I forgot about the incident until recently when someone in my WhatsApp group hysterically claimed that our village has turned to witchcraft to solve rising theft.
There was a burst of holy anger and self-righteousness! An angry villager had hired a witchdoctor to catch the thief who had stolen his only cow.
Now, I am neither concerned with its practicality nor the moral-religious arguments that this subject immediately provokes. My interest here is purely the ‘why’.
Open witchcraft is rare in Central province. What people do secretly is a different matter. So when one hears that in Tetu, Nyeri County, after over a century of evangelisation and western education, people are using the occult to solve problems, there is ground for moral outrage.
But I asked the WhatsApp group: What would you do if your only source of income is stolen? (A) Report to bwana chief and wait until cows come home (pun intended), (B) pray the rosary or if you are of protestant persuasion conduct kesha where the pastor invokes the wrath of God on the thief, (C) hire a sorcerer for Sh5,000?
Nobody answered. It set me thinking. You surely have seen on TV thieves ‘eating’ grass after alleged bewitchment. Is it not quicker? You pay a wizard ‘to trace the footsteps’ of the thief and voila, the following morning a guy is mowing grass on the roadside using his teeth. And you get your cow back or the monetary equivalent.
And better, thieves will never touch anything in the village.
Why do people continue believing in witchcraft? The simple answer is that it helps for some people.
The imposition of the European God, his rival Satan and his militia of supporting demons did not kill African witchcraft. The accompanying western architecture of government merely suppressed traditional means of making sense of this life.
Prof Anne-Maria Makhulu, an anthropologist at Duke University, writes that humans still resort to magic to cope with desperate medical, emotional, and financial situations in these heady times.
There are three legitimate mechanisms of social control: one, government, which we allow to use all sorts of methods to maintain social order. Two, religion; where the fear of eternal damnation persuades us to keep trying to be good.
Three, customs where the society punishes us through alienation or torment by spirits if we don’t abide with the norms. Witchcraft, scholars tell us was one of the tools used in the traditional society to control and balance society.
So strong was it that the colonial government banned it, and so did the independent Kenyan government. No government wants citizens believing in powers that it cannot control.
However, with life rapidly becoming complicated, modern governments and the churches can no longer provide all the answers to the questions unleashed by globalisation.Progress through scientific thinking has proven inadequate in answering the numerous questions it raises. Witchcraft helps some people to articulate the internal contradictions of modernity.
The farmer who loses his cow no longer gets quick answers from the Government, though he is supposed to vote and pay taxes to enable the same government protect his property.
The farmer is forced to look for his own catch-thief mechanisms.
The moral framework subscribed by the church fails to prevent the thief from doing his thing despite threats of hellfire.

Call him at once, please!
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drmayanja, blr, 161018 humour

How different birders would describe the same outing....
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On World Migratory Bird Day, three of us went to Hulimavu Lake. We were hoping to sight the Greater Painted Snipes and the Indian Eagle Owls. When I returned home, it struck me that different kinds of birders would have different perspectives on the morning...so here are three diametrically different versions that a "focus" birder and a "hobby" birder would give!

The "tick" birder

We sighted several Pelicans but we could not see even a single Snipe. We then went to Hulimavu hillock but there again, only one of the Eagle Owls showed itself very briefly. Altogether a disappointing morning. Hope to get to see these two birds soon.

The "click" birder

We went to Hulimavu kere to try and sight the Greater Painted Snipes that had been so easily seen when Vidhya took the group on a birding walk on October Bird Day. However, the mist soon obscured the sun to the point where we could not even see the far shore of the lake. The lack of light proved a big hindrance as we could not take clear shots even of the many Pelicans and Herons we saw on the lake, The mist made even the sun appear like the moon and the colours were very muted because of it. We could use our cameras very little, and went home without many satisfactory shots.

The "pick" (whatever one wants to see and observe) birder

We went to Hulimavu kere to try and sight the Greater Painted Snipes that had been so easily seen when Vidhya took the group on a birding walk on October Bird Day. However, the mist soon obscured the sun to the point where we could not even see the far shore of the lake. It was quite magical to see more than a hundred Spot-billed Pelicans dotted over the lake, later coalescing into a fairly large pod. A few other migrants like a juvenile Rosy Starling, a Brown Shrike, a and lots of Barn Swallows swooping around, kept our eyes glued to the binoculars. The sighting of the Eagle Owl was brief but Robins, Bee-eaters and other birds practiced their ground exercises and their aerobatics. It was delightful to see a single Brahminy Myna amongst the Common Mynas on the Jamun tree. We wound up with the wonder of about a hundred Barn, Red-rumped and Streak-throated Swallows in a huge flock. We observed several insects, wildflowers, plants, and the lives of the people living near the lake shore.

Well, sometimes we are a combination of all three!

My eBird list is

here

(not a bad haul for a "focus" dip on the Snipe!)

And I've put up photos on my FB album at

here

Looking forward to the next outing, already!

Here are a few photos (not only birds) from my Flickr album (clicking on any of the photos will take you to the album.)

Sunrise:

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High-rise with its "head in the clouds":

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more photos, if you like to lookCollapse )

Mist on the lake:

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Weeds?
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If I have a garden, it will be full of weeds;

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Plants that thrive on neglect, and spring forth fast from seeds.

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I do not have the patience that a delicate garden needs...

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So my weed garden would grow and thrive with no gardening deeds!

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All these are wild flowers, from "weeds" that grew along the path as I walked at Hulimavu Lake today. They seem very beautiful to me!

Walk to Ranga Shankara, 091018
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My walk to Ranga Shankara, in terms of smells.
The ground coffee from the darshini.
The heady aroma of the Akasha Mallige.
Frying onions from an unknown source.
Agarbathi or dhoop fragrance from a nearby window, part of the evening worship.
A waft of strong perfume from a lady whizzing by on the back of a scooter.
Punctuating all these, and vitiating them, the stench of accumulations of garbage.
My city is a nasal smorgasbord.

The beauty of Kasavanahalli kere, 021018
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I'm just posting some shots of the beauty of the lake, as the rain-washed sunlight and the fleecy clouds were reflected in the water where waterlilies were growing. I thought of Monet's paintings when I saw the waterlilies...

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More images, if you like to lookCollapse )

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Let me end with this surreal image of fishes "kissing" under water:

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Turahalli, 180918
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Warning, contains images that may be disturbing.

The Bangalore skyline from Turahalli

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Post to the bngbirds egroup:

Today was the fourth time in a few days that I went to Turahalli. After Vijetha Sanjay discovered the patch of the carnivorous plant, Drosera burmannii (Sundew plant), I have taken friends to see the plant; they have all been surprised by how tiny it is!

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Today was the first weekday that I have been to Turahalli in a while. As we climbed the path to the Muniswara temple, we heard the temple bells being rung and some chanting too. What, however, the three of us were unprepared for, was to have four chickens beheaded and their bodies thrown in front of us, twitching as they bled to death.

The family offering the worship included young children; they were obviously inured to this, and everyone seemed quite matter-of-fact about it.

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Sacrifice is a part of many rituals of worship, and I cannot presume to judge such customs. But being completely unused to it, it was very unsettling indeed. Even more upsetting was seeing the head of one of the birds lying amongst the flowers offered for worship.

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So if anyone is not used to watching such customs, please do not go up to the temple on a Tuesday, as it seems to be the day for such sacrifices. I have never, in all my years of visiting Turahalli, seen this before.

However, the rest of our outing was very pleasant indeed. The patch of the carnivorous plants was rewarding, as was the brightly-coloured male Red Avadavat which seems to sit regularly on some dried trees near the top of the hillock.

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Several kind of insects,spiders and flies showed us their beauty. Four Southern Birdwings flashed their bright yellow and black as they flew overhead near the Eucalyptus trees. A Pale Grass Blue opened up the blue as it repeatedly sat on the freshly-fallen petals of the Cassia senna.

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Spotted Dove
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A dog near us charged at a young peacock, which flew up into the Eucalypus and afforded us a shot.

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A young family who'd brought a professional photographer (and a plastic sign saying "BABY GIRL") to capture their daughter's infant moments, kept yelling at her to look at the camera. ("IL NODU, PUTTA!") Patient for a while, she finally started her own bit of yelling when she was made to put on a pair of blue plastic butterfly wings and a blue antenna headband!

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Such lilttle vignettes kept us quite happy as we slowly wended our way back, and went home after a nice hot coffee at SLV Coffee, where the ever-smiling Triveni was working as hard as usual.

A fly:

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Blister Beetle with pollen from the Stachytarpeta flowers:

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I have put up the photos from the outing

here

and the Flickr album is

here

And have made a short video of the wonderful "pot" entrance that the ants were making to their nest:

https://www.youtube.com/watch?v=4ZwublYy0Yc

Also rather struck by the exponential growth in the human habitation in the less-than-ten-years I have been visiting Turahalli, I made a quick video of the skyline:

https://www.youtube.com/watch?v=ihiGSD9sRBI

The eBird list is

here

Rangoli on Ganesha Chathurthi, 130918
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Instead of the stock Ganesha Puja photos, I thought I'd click some of the beautiful rangolis that I saw on my morning walk. So much art on our roads and footpaths, I felt like documenting and preserving these transient works.

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More, if you likeCollapse )

Let me end with a lovely Ganesha-themed puLLi kOlam:

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International Vulture Awareness Day (IVAD), Ramnagara, and Nelligudde kere, 010918
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I had nearly forgotten that the first Saturday of September is International Vulture Awareness Day; a reminder jogged my memory, and my friends and I shelved our Maidanahalli plans for a visit to Ramadevara betta (hillock), to see the only known roosting and nesting spot of the Long-billed Vultures in Karnataka. The Karnataka Vulture Conservation Trust, in collaboration with the Karnataka Forest Department, had organized a walk to see the vultures, and talks by experts, an event open to all.

We were a group that started from the south, north, and east of the city, and met up at the gates of the Vulture Sanctuary, by 6.15am.'

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UGS. Gopinath, Nikhil, Arpitha, Sriram, Sharmila, Keerthana, Subhadra,Harish, Vijay, Tara, Arnab, Anisha,Sahas, Nitin, Regin. Kneeling with Arjun : Praveen and Srini. Ramnagara, 010918

If you want to see more, click hereCollapse )

Let me end with the beauty of this mushroom!

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